The brazilian film industry from the horror lives in the moment, the most fertile and respected in the past few decades. Far from being only a shadow of the hollywood-type productions, the filmmakers have found a unique voice to the mix of the legends of the regional tensions, and social realism in visceral where the foreigners have already begun to take notice. Before the genre became restricted to a niche of the mystery, or the unintentional comedy, and today, what we see on the screen is a production technique, perfect and scripts very disturbing.
This is the new generation of directors to understand that it is a territory that is rich in folklore, dark, and inequality, which, in itself, is already generating a horror palatable. The haunted houses in the interior of the country and of the way city-dwellers in great cities, the diversity of the subjects shows that our country has a lot to offer to fans of the more intelligent species. For those who wish to explore this side of dark web is our culture, we are the Os Cinéfilos , we have prepared a selection is necessary.
The wake (2017)
Considered to be one of the landmarks of the revival of the horror business in Brazil, this is a film that uses a public hospital in off the Rio de Janeiro as the setting for a series of investigation, us. The story follows a doctor in charge of the transfer of the patients to the hospital in decay, where, in the course of the process, and a child goes missing without a trace, causing him to dive into secrets of the institutional, the dark.
The big thing here is the use of urban decay, and the health crisis as a backdrop to the website. The atmosphere is claustrophobic corridors are dark, and the efficient use of the sound effects that make the viewer feel the same insecurity of others. It’s a film that shows how the story can come from real-world problems, and systemic in our society, thus making the experience that much closer to our own reality.
Good manners (2017)
It is a bold blend of horror, fantasy, and social drama. Set in Sao Paulo, the film tells of a meeting between a nurse is hired as a nanny by a mysterious woman who is waiting for a child in conditions that are anything but ordinary. As the full moon approaches, the behavior of the pregnant woman changing dramatically, and the film becomes a suspenseful, intimate setting for a horror-creature surprise.
The film is notable for its design by the impeccable, and they aren’t afraid to embrace the fantasy. The address of the legend of the werewolf under the point of view of the brazilian cities and the directors have created a work that is at the same time, the beautiful and disturbing. This is the kind of film that defies ratings, and simple proof of the creativity, the republic does not have boundaries when it comes to subverting the expectations of the public.
The dead don’t talk (2019)
In this supernatural thriller, we follow the lives of Stênio, um plantonista-of-a FAVOUR that you have the gift — or the curse — of-the-talk to dead people who come to your table. What starts off as an advantage in order to solve the crimes, and the disputes of others turns out to be a deadly danger, when he uses these pieces of information are privileged to get revenge on in his personal life, unleashing a curse on his family.
In the film the shining at the lodge, a horror graphic, dirty, far from the glitter of plastic from the great ones. The work of Daniel de Oliveira, the delivery of a common man being consumed by fear and guilt. The way of the supernatural intrudes on the outskirts of the brazilian, and the routine of an ordinary worker creates a loop of identification, which makes it all the more pretty, more efficient, and heavy-duty.
What do these works tell us about our film
Which of these movies in brazilian horror they have in common is the courage to look into their own backyard to find the one that scares us. They drop out of a desire to be copies of a foreign film and a take on the color of the problems, and the legends of Brazil, such as the engine again. It’s a film of this genre that is not only afraid, but also makes you think about who we are, and what are the ghosts are real.
With these productions, to 2026, it is essential to understand the maturity of the industry. The fear is national is no longer a taboo to become one of the most powerful tools of artistic expression in the country. Each and every one of these titles, and opened doors to new film-makers, ensuring that the story continues to be one of the genres most exciting and talked about the next day.
But, if you think that you’ve seen the worst of it; the next nightmare in brazil is being filmed right now in the silence of the street.
